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Slow Talk in Fuli | Following Lu Wang’s Footsteps, Exploring the Cultural Jiangnan
Release date:
2024-03-22 10:00
Source:
After retiring to Fuli, Lu Guimeng embraced a life of seclusion. According to the Qing‑dynasty scholar Yao Chengxu’s “Wuqu Fanggu Lu,” at his Tian Sui Villa in Luzhi, Lu Guimeng had constructed such structures as the Qingfeng Pavilion, the Qiju Plot, and the Chuihong Bridge, finding great pleasure in them. Among his lifelong passions was raising ducks and engaging in duck‑fighting; he even built duck ponds and marshes, where he would either lean on the railing to watch the crimson‑webbed feet of the ducks gliding across the water or delight in spectating two ducks locked in combat within the duck‑fighting pool.
Today, beneath the ginkgo tree in the western courtyard of Baosheng Temple stands a symbolic tomb bearing the vestments and headgear of Lu Guimeng. A stone stele before the grave bears the inscription “Tomb of Mr. Fuli of Tangxian,” honoring this poet. The Qingfeng Pavilion, the Chuihong Bridge, and the duck ponds and marshes at the foot of the ginkgo were all erected in his memory; within the ponds, red carp ripple gently, while on the banks, the duck pens lie empty. As a gentle breeze sweeps through, poetry flows forth as naturally as the wind.
Back then, Ye Shengtao led his students in establishing the Shengsheng Farm beside the Luwang Temple. Together with teachers and students, they agreed to designate the day before Qingming Festival and the day after the Double Ninth Festival each year as occasions for the faculty and students of the “Five Highs” to jointly honor Lu Guimeng. Ye Shengtao also guided the students in paying their respects at Lu Guimeng’s symbolic tomb, ensuring that the exemplary deeds and noble conduct of this revered scholar would be passed down through the ages.
Today’s Ye Shengtao Memorial Hall stands on the site of the former “Wugao” and is separated from the West Courtyard of Baosheng Temple by a single wall. The cultural heritage endures, thriving from generation to generation.
The leisi, or plow, was an ancient agricultural tool used for tilling and turning the soil. In his writings, Lu Guimeng meticulously documented the invention, manufacture, and methods of using such implements as the plow, harrow, and shovel. He also provided a detailed account and explanation of the Jiangdong plow—a key paddy‑field cultivation tool in the Jiangnan region, already largely standardized—covering its shape, structure, dimensions, and functions.
Stepping into the Luzhi Water Town Agricultural Tools Museum, visitors will find authentic exhibits of the Jiangdong plow and over a hundred traditional farming implements. These tools are organized into seven categories—tilling and land preparation, sowing and transplanting, intertillage and weeding, irrigation and water management, harvesting and transportation, threshing and processing, and weighing—forming a veritable chronicle of meticulous agricultural craftsmanship and bearing witness to the prosperity of Luzhi.
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