Maximum visitor capacity of the scenic area: 85,901 visitors; instantaneous carrying capacity: 18,800 visitors.

Welcome to Luzhi Ancient Town!

Luzhi

The ancient town of Luzhi holds the Tang‑style poetic charm of “Three Thousand Li of Chang’an.”


As long as poetry endures, Chang’an will endure.
Recently, the film “Chang’an Three Hundred Li” has been a box-office hit.
The Three Hundred Poems
It recited the splendor and grandeur of the High Tang era.
It awakened the cultural sentiment in my heart.
 
The time-honored ancient town of Luzhi
There is a sculpted arhat on the wall by Yang Huizhi, the “Sage of Sculpture” of the Tang Dynasty.
There is the reclusive leisure and carefree spirit of the Tang dynasty poet Lu Guimeng.
There is the timeless charm of an ancient Song dynasty stele carved from bluestone.
There is a sentiment that cannot help but recall the charm of Jiangnan.
Though millennia have passed, the apricot blossoms and misty rain remain unchanged.
Strolling through Luzhi
Exploring the Tang‑style poetic charm amidst quaint bridges and flowing streams.
 
Retiring to Fuli
The reclusive and serene life of Jiangnan
 
Leisurely Boating on the Songjiang River
Tang Lu Guimeng
Beyond the wine‑flag reeds, the pavilion’s shadow lies amid the surging waves.
A few sails are hoisted in drunken haste, awaiting only the carp‑like breeze.
 
  During the Tang dynasty, the poet Lu Guimeng retired to Luzhi, embracing a reclusive life of both farming and scholarly pursuits. He composed poetry, cultivated friendships, tilled the fields, engaged in duck‑fighting and duck‑eating, savored tea, and took leisurely boat rides—exemplifying the very image of a wandering hermit of the jianghu.
 
  The 636 poems penned by Lu Guimeng are included in the “Complete Tang Poems,” making him a remarkably prolific poet. His “Ten Odes to Tea Utensils” vividly captures the splendor of tea‑related customs during the Tang dynasty, and thus, amid the lingering fragrance of tea in Luzhi, an elegant tradition has been passed down through the ages.

His work, the “Laisi Jing,” documents the invention, manufacture, and methods of using agricultural implements in the water‑rich regions of Jiangnan, making it the earliest extant monograph on farming tools in China.

The “Fuli Duck,” served to entertain guests, is a culinary treasure passed down through the ages; amid the simple fare and humble hospitality of the Jiangnan water towns, it embodies the refined elegance and meticulous artistry of the literati.

Plastic-Walled Arhat
A lifelike three-dimensional masterpiece
 
  “Four hundred and eighty temples of the Southern Dynasties—how many pavilions and terraces lie shrouded in mist and rain?” Baosheng Temple, founded in the second year of the Tianjian era (503) under Emperor Wu of the Liang dynasty, a ruler of the Southern Dynasties, has endured periods of prosperity and decline. It was rebuilt during the Tang and Song dynasties and thus ranks among those four hundred and eighty temples.

Within the Baosheng Temple Ancient Relics Museum are enshrined the clay‑sculpted Arhats adorning the temple’s walls, created by Yang Huizhi, the “Sculpture Sage” of the Tang Dynasty. In 1961, the site was designated as one of the first batch of National Key Cultural Heritage Sites.

The sculpted wall resembles a rocky islet from which seawater seems to surge, with jagged boulders and rolling clouds; nine arhat figures are gracefully interspersed throughout, each bearing a distinct expression, their forms and spirits perfectly rendered.

Even as cultural relics and historic sites grow weathered by the passage of time, the sculptural artistry of the Luohan figures carved into the walls—remarkably masterful and lifelike—continues to inspire awe.

P.S. The Baosheng Temple Museum will be temporarily closed to the public starting July 20; the date of its reopening will be announced separately.
 
Green Stone Pagoda Pillar
Exquisite carvings steeped in the passage of time
 
  In addition to the sculpted wall arhats, the Tang‑dynasty bluestone sutra pillar in the museum’s courtyard likewise bears the imprints of a bygone era, chronicling the rise and fall of history.

The sutra pillar, first developed during the Tang dynasty, is a type of Buddhist stone inscription consisting of a cap, a shaft, and a base; the shaft bears images of Buddhas, their names, or sacred mantras. The bluestone sutra pillar at Baosheng Temple, formally known as the Venerable Victorious Dharani Sutra Pillar, was erected in the eighth year of the Dazhong era of the Tang (854), according to historical research. It was originally constructed in the Tang period and later repaired during the Song dynasty; however, on one side of its octagonal inscribed shaft, the inscription has become indistinct.

This stupa stands seven stories tall, resting on a lotus‑and‑cloud‑patterned, inverted‑basin stone pedestal. Its shaft is adorned with motifs such as azure dragons, lotus flowers, peaches of immortality, and cranes, exhibiting a dignified and graceful form that attains exceptional artistic merit.

Apricot Blossoms in Misty Rain
A poetic sentiment and artistic conception rendered to the utmost.
 
  For millennia, the misty rain over apricot blossoms in Jiangnan has been an everyday scene for the locals—paddling oars and singing songs, poetry, wine, flowers, and tea, all woven into a rich cultural tapestry. Countless visitors flock here to explore historic sites, stroll along ancient cobblestone streets, and seek out secluded homes with dark-tiled roofs, savoring the deep heritage and timeless charm of Luzhi.

In springtime, head to Luzhi and glide along its waterways aboard a traditional oar‑powered boat. The dark-tiled roofs and white walls on either bank are reflected in the tranquil waters, evoking the serene leisure described by Wei Zhuang: “Spring waters as green as the sky, a painted boat where one sleeps to the sound of rain.”

Summer arrives in Luzhi; under the dazzling night sky, you step into a cozy little tavern and, gently tipsy, savor the carefree summer evening captured in Li Bai’s words: “When life is at its finest, seize the moment and revel—let not the golden cup face the moon in vain.”

As autumn arrives in Luzhi, amid the golden waves of ripening rice, one can savor the bountiful splendor described by Lu Guimeng: “With the breeze at the boat’s stern, the fragrant glutinous rice ripens; in the fine rain, red carp leap above the layered clouds.”

With winter’s arrival in Luzhi, choose a cozy guesthouse to call home and savor the tranquil serenity described by Pi Rixiu: “A secluded haven, where this reclusive soul dwells alone.”

Poetic charm and elegant flair, with the timeless elegance of Tang dynasty style.
It has long been woven into the life of Luzhi Ancient Town.
While the summer days are just right
Savor the unique poetic charm of this piece.

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Ticket Discount Policy

Children aged six years or younger (inclusive) or measuring 1.4 meters or less in height (inclusive), seniors aged 70 years or older (inclusive), persons with disabilities, and one accompanying caregiver of a person with a severe disability are exempt from admission fees upon presentation of valid identification.